![]() His democratic attitude towards music saw little difference between the church and the dance hall, and as a result, he received backlash from clergy and fans for daring to mix the sacred with jazz. Armstrong fondly remembered "The Saints" from his childhood in New Orleans. Satchelmouth's respectful vocal (accompanied by some members of the "congregation") to the soaring and majestic trumpet solo, the performance commands attention. Higginbotham's shouting, preaching trombone, to Rev. Satchelmouth," introduces this unusually atmospheric recording. In this first jazz recording of the famous hymn, Louis Armstrong, in the guise of "Rev. Listen (MP3) "When the Saints Go Marching In" (single). "Smyrneikos Balos," a lament for lost love that is also a couples' dance, was one of her most popular songs and she recorded it three times. She began recording in 1918, and quickly became one of the most popular singers in the Greek-American community, eventually recording well over 200 sides, often accompanied by her husband on the cimbalom. (1928) Markia Papagikaīorn on the Greek island of Kos in 1890, singer Marika Papagika immigrated to New York City in 1915 with her musician husband Gus. Listen (MP3) "Smyrneikos Balos" (single). In 1936, Ted Johnson, a former member of Peterson's troupe, re-recorded it with traditional instruments and it became a hit again, the first of many successful revivals. He recorded "Nikolina" three times in the 'teens and 20s, in the process, selling more than 100,000 copies. The song was brought to America by Hjalmar Peterson (1886-1960), who settled in Minnesota and became a hugely popular entertainer among Swedish-Americans. In "Nikolina," a young Swedish man tells of his comical difficulties with the father of the girl he is courting. The result was a surprisingly listenable musical and vocal interlude. miSci) in Schenectady, New York, announced that physicists at the Lawrence Berkeley National Laboratory had recovered the sound from this slip of shiny silver. Then, in the summer of 2013, the Museum of Science and Innovation (a.k.a. For years the foil endured and went, not surprisingly, unplayed. ![]() Louis, Missouri, on June 22, 1878, just months after Thomas Edison invented his magic recording machine. It lasts 78 seconds and was made on a phonograph in St. ![]() It is a survivor-the earliest extant document that captures a musical performance. It is quite possibly a record of the oldest playable recording of an American voice. (1878) Close up of Edison tinfoil recordingĬourtsey: Museum of Innovation and Science (Schenectady, NY) Recordings are listed in chronological order: Edison's "St. ![]()
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